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Robin said, "This is about a prisoner on Death Row who only has a few hours to live. He wants the prison chaplain to pass on a final message to his wife. There's a certain urgency about it. Myself and Barry wrote it.

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It's a bit like writing a script. Barry recalled, "In those days, the lyrics were almost pretty well done on the spot. Because right now that's all he cares about. yo

It plays faster than the stereo mix, but that is true of all the mono mixes for Idea. I want three-part harmony choruses. The two sound very different.

I've Gotta Get A Message To You

In the UK, the song was released as a single only. Propagandhia Canadian punk band, used the melody and partial lyrics in their song "Ska Sucks", featured on their album How to Clean Everything That was it. Everyone drove back to the studio, and that's what we did. He loved playing bass more than anything else, I think, at that time.

Sometimes you can sit there for three hours with your guitar and nothing will happen. Myself and Barry wrote it.

Both songs appeared on CD editions of the album. Good lead guitarist, good bass player, good keyboard player. He was versatile.

The song was sent to Atlantic Records with " I Laugh in Your Face ", so it would be reasonable to assume that the latter was the intended B-side. There's someone out there whom he loves. Regardless of whether he's done a bad thing, he is a human being, and he's sending out this last message.

A Message to You Rudy

I think that night, I know for a fact, we didn't sing the choruses in harmony. What would they be saying, you know? The first mix to appear was the mono mix for the yyou, followed closely by a stereo mix that appeared on North American copies of the Idea album. The song was featured in the Razor 's keygen for Command and Conquer 3.

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Maurice was very good on different instruments, you know. Robert called us back to the studio at 11 o'clock at night and said, 'I want the choruses in harmony, I don't want them in just melody. There's a certain urgency about it.

He would pick up on all the things that McCartney would [do]. During preparation of The Studio Albums box set, another mix from was discovered, a mono mix that sounds like the stereo mix. This track was not recorded during the Idea sessions, which had concluded on 25 June with the recording of " I Started a Joke ". I don't remember the fundamentals on how the mesxage were formed, except that we were writing about a guy on death row. This is it: 'Gotta get a message to you, hold on". Then emssage the last ten minutes something will spark.

As to the speed, Bill Inglot said in that the mix he made for the Tales from the Brothers Gibb box messagr is at the correct reel tape speed.

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The slower album mix is shorter because it fades out much sooner, 4 seconds sooner at the speed given, or 11 seconds sooner at corrected speed. Some versions replaced the lyrics of "A message to you, rudy" with the pseudo-english "A Brieflos for you and me", while others are simply instrumental. Since the North American Idea LP was released only in stereo, this companion mono mix was never released. Let's not make it doom and gloom but sort of an appeal to the yoi he loves. What would be going through their mind?

For most of the song the album mix has percussion effects and string overdubs not heard or barely heard in the single mix.

I've Gotta Get a Message To You

The correct speed can be achieved by playing the mono single mix at An Italian version of the song, called Pensiero d'amore Thought of lovewas published by Welsh singer Mal Ryder in This speed is intermediate between the mono and stereo mixes released in Crawley Town F. Messsage wants the prison chaplain to pass on yyou final message to his wife. Robin said, "This is about a prisoner on Death Row who only has a few hours to live.

The song we wrote together, all three of us.

I've Gotta Get a Message to You

However, it was dropped in favour of " Kitty Can ". Not sort of abstract, but definitely somebody in a very bad situation whose life is going to end. It's a torch song, but within a very sort of theatrical sense.