Asoka and the Decline of the Mauryas by Romila Thapar (2) | Indian Religions | Religion And BeliefThank you for interesting in our services. We are a non-profit group that run this website to share documents. We need your help to maintenance this website. Please help us to share our service with your friends. Share Embed Donate. JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive.
Panorama- Episode 01 - Ancient Indian History - Mauryan Empire.
Asoka and the Decline of the Mauryas by Romila Thapar (5)
Published in the year , this third edition of Asoka And The Decline Of The Mauryas is a book that provides the readers with in-depth insights into the life of Asoka, and the Mauryan Empire. It was during the Mauryan period that the first sub continental empire began to surface. It required correct administration to cope with the changing political economy, communication specific to a sub continental territory, and new ideological efforts to gain support from a multi-cultural population. Thapar dwells on the success achieved by Asoka during his reign, and attempts to throw light on the reasons behind his achievements. Additionally, he was also in good terms with Antiochus of Syria, who was his only serious contender in the world known to Indians. Thapar was born on 30th November, , in Lucknow, British India. She completed her degree from Panjab University.
Asoka and the Decline of the Mauryas
Mauryan art encompasses the arts produced during the period of the Mauryan Empire 4th to 2nd century BCE , which was the first empire to rule over most of the Indian subcontinent. It represented an important transition in Indian art from use of wood to stone. It was a royal art patronized by Mauryan kings especially Ashoka. Pillars, Stupas, caves are the most prominent examples. According to Niharranjan Ray , the sum total of the Mauryan treasury of art include the remains of the royal palace and the city of Pataliputra , a monolithic rail at Sarnath , the Bodhimandala or the altar resting on four pilars at Bodhgaya , the excavated Chaitya-halls in the Barabar and Nagarjuni hills of Gaya including the Sudama cave bearing the inscription dated the 12th regnal year of Ashoka , the non-edict bearing and edict bearing pillars, the animal sculptures crowning the pillars with animal and vegetal reliefs decorating the abaci of the capitals and the front half of the representation of an elephant carved out in the round from a live rock at Dhauli. Coomaraswamy argued that the Mauryan art may be said to exhibit three main phases. The first phase was the continuation of the Pre-Mauryan tradition, which is found in some instances to the representation of the Vedic deities the most significant examples are the reliefs of Surya and Indra at the Bhaja Caves.